Rebecca
Tushnet, A Mask that Eats into the
Face: Images and the Right of Publicity (38 Columbia J.L. & Arts,
forthcoming 2015)
Abstract: In
their eagerness to reward celebrities for the power of their “images,” and to
prevent other people from exploiting those images, courts have allowed the
right of publicity to distort the First Amendment. The power of the visual
image has allowed courts to create an inconsistent, overly expansive regime
that would be easily understood as constitutionally unacceptable were the same
rules applied to written words as to drawings and video games. The intersection
of a conceptually unbounded right with a category of objects that courts do not
handle well has created deep inconsistencies and biases in the treatment of
visual and audiovisual media, particularly comics and video games. These
problems show up both in First Amendment defenses and in copyright preemption
analysis. The possible arguments one might offer for treating images
differently are insufficient to justify this disparity. The Article concludes
that, absent the distortion produced by images, the right of publicity would
properly be understood as sharply limited.
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