Closing Keynote Address: Justin Hughes
In a world of complex laws, like tax regulation, everyone
likes the idea of a rule that’s both general and exculpatory—fun and safe
because when you’re applying a multifactor test it’s very difficult to be
clearly wrong. But fair use is also notorious because it’s a principal arena in
the struggle between proponents and opponents of IP. The doctrine has an
unstated and perhaps unconscious idea: the open ended possibility of the
negation of copyright protection. This
is the source of fair use’s popularity among digerati and the source of the
fear copyright owners have of fair use.
Don’t you mean an open-ended regulator of copyright protection where protection doesn’t advance the underlying purposes of ©? No. It’s a kill switch. It’s not a device to withdraw © protection in all circumstances, at least not in a way we could make a policy decision about. It’s an iterative process, endless rollercoaster of expensive litigation. That’s what makes it a little bit scary but fun.
Many of us are concerned about how transformativeness has
become so malleable, so dependent on what judge had for breakfast, that the
twists and turns are getting quite wild. He thinks the doctrine will eventually
sort this out, but wants to give a cautionary tale.
Where he doesn’t disagree necessarily w/result, but w/use of
transformativeness: use of expert’s CV in legal case. Consider SOFA Entertainment v. Dodger
Productions: 7-second clip of the Ed Sullivan show introducing Four Seasons
used in the musical Jersey Boys,
projected onto the screen before the actors began performing. Court found
transformation: used as biographical anchor and its biographical significance
gave it new meaning, not just used for entertainment value. Clearly both works
are works created and distributed/performed for their entertainment value. Clip conveys mainly factual information about
the group about to perform. He doesn’t
see any way you can say there’s a tremendous transformation: it was
biographical/informational when it was originally broadcast.
Monge v. Maya district court is a poster child for transformativeness
wandering the desert: four federal judges reached three different conclusions
in a relatively simple case. Monge, a
Latina star, got discreetly married; a story ran about the marriage with
photos. DCt granted sj on fair use; 9th Circuit reversed over a
vigorous dissent. The dct found it
transformative: photos were used not in original context, documentation of
wedding night, but rather at confirmation of the accompanying text challenging
repeated denials of the marriage. Ct of
appeals found only marginally transformative.
There’s mere wordplay to say that photos are transformed from
documentation of wedding to confirmation of text saying people are married.
Then there’s White v. West, which seemed to conclude that putting something in a comprehensive database is grounds for a transformative use. WW Norton would never have to pay for a royalty again in its anthologies! Thus he is concerned that recent jurisprudence on transformativeness is becoming unwieldy. Not saying that the decisions are wrong, just that they were achieved the wrong way.
Low protectionists may see this as a good thing and even
call for further expansion of transformativeness. Lea Shaver: translation
should be recognized as transformativeness. But that would conflict with Berne
Art. 8.
Berne 9(2)/Trips Art. 13 is the three step test. WTO dispute resolution panels say we apply it
as it reads, with three steps: (1) certain special cases, (2) no conflict w/
normal exploitation, (3) no unreasonable prejudice to legitimate interests of
right holder. Lunney’s unitary analysis
is popular with academics in Europe who think current version is too
restrictive. Interpreted this way, defenders of copyright see three-step test
as lynchpin of copyright/critics see it as Darth Vader.
Is the American fair use doctrine as embodied in §107
compliant? I have always thought the
answer is yes. I still think the answer is yes, though I was initially too
simplistic. Back in 1988, on accession
to Berne, there was a lively debate about compatibility of American copyright with
Berne; we gave up formalities. Then
there was fair use. In 1988, then
general director of WIPO, identified formalities as the only real
incompatibility with Berne, suggesting that fair use was no problem. Six years
later, the WTO was created and TRIPS extended the three step test to all
exceptions and limitations in ©.
Absolutely no diplomatic fuss over whether US law would be
compliant. In early days, a few
countries questioned the US about fair use.
Standard US response: while §107 may appear indeterminate, carefully
developed 150 years of case law assures that §107 meets the requirements of the
three-step test.
More countries have adopted provisions at least inspired by
§107: Sri Lanka, Singapore, Israel, South Korea and the Philippines; arguably
Uganda, and Canada is moving in that direction. Not sure whether it’s a good
thing for developing countries. Their
local judicial institutions may not be developed enough to exercise a balanced
application of the doctrine. Makes WTO challenge to §107 more difficult,
politically and probably juridically. Vienna Convention on Treaties: a treaty
shall be interpreted in good faith in accordance with ordinary meaning and in
light of subsequent practice.
But Ginsburg and Besek raise legitimate issues. §107 passes the test because it is not an
exception to be judged under the three step test. It is a mechanism to
establish exceptions. When significant
courts rule the same way, or when the SCt weighs in, the result is a pretty
clear rule. A little exception: e.g., parody.
At least as clear as the codified parody exceptions that exist in other
countries. Sega v. Accolade/Sony v.
Connectix: an exception has clearly been established for intermediary copying
to produce a new work. With fair use we
entrust judges to craft new exceptions to our copyright law, just as the
Chinese court can issue sweeping interpretations of IP laws if the People’s
Congress doesn’t act. TRIPS doesn’t require national legislatures to write the
rules (though Berne does). WPPT and Beijing treaties likewise just say it’s for
the members to do; WCT has a weird straddle.
But Ginsburg and Besek have a point. A whopper of a fair use decision could
trigger a challenge, and the case would be about that decision/that new
exception in American copyright law. As-applied challenges are possible. A
broad fair use application to foreign works could trigger that showdown. Many in
Geneva think only a SCt decision could be subject to dispute, but others think
that the court of appeals should also possibly allow WTO proceeding. Could be brought by someone we’re always
dragging to the WTO as retaliation (China).
At the domestic level, our judges should be cognizant of our
treaty obligations, properly interpreted: Charming
Betsy doctrine. An act of Congress
ought never to be construed to violate the law of nations if any other possible
construction remains. Congress regards IP treaties as non-self-executing—adamant
about that w/Berne, TRIPS, and 1996 internet treaties. But many reasons related
to separation of powers still exist to give effect to Charming Betsy: if a court believes that one interpretation “could”
violate the three-step test, it should go with a different interpretation.
Campbell: March
1994; TRIPS signed April 1994, effective Jan. 1995. We haven’t had a SCt fair
use case since. Interface of foreign/domestic obligations will get more
interesting over time.
No comments:
Post a Comment