Facilitator: Judge Ronald Whyte, Senior United States
District Judge, Northern District of California
Judge A. Howard Matz, Senior United States District Judge,
Central District of California
What lawyers should do to make disputes more meaningful to
the judge. The process of achieving an
appellate decision is radically different from the trial level. Not just the benefit of 3 minds; the record
is frozen; no preliminary injunctions/other matters making the trial judge’s
job challenging. On any given day he was
working on a copyright case, it’s highly likely that at some point that day he
was also imposing a sentence in a criminal case or doing other criminal
proceedings; dealing with a copyright case in a quick manner fairly and
impartially when the stakes/status of the litigants is so different—David and
Goliath; we get a lot of subpoenas when the user turns out to be a teenager
seeking music noncommercially. We have a flood in the Central District who aren’t
represented by lawyers. Not new to have
pro se plaintiffs, but new to have pro se defendants, due in part to collapse
of housing market and removal of eviction proceedings to federal court but also
due in part to IP. Some firms are going
after little people; judge has obligation to look for the merits, but it’s not
comfortable.
All of this is going on while you’re dealing with the
niceties/complexities of the DMCA. Very often the judge who has to address your
dispute is doing so without much guidance from above in the way of precedent. Good idea to ask the judge what they’d like you
to focus on. Is it new technology? Is it implications for broader economic
considerations? Is it the words of the law?
Can be hard to prepare, but if it works, it will really help you help
the client and the judge.
Told story of a case in which the defendant was allegedly
using stolen source code. Was baffled; in that case, he did something rarely
done but potentially terrifically helpful: appointed his own expert after a
hurried procedure inviting both sides to recommend people for his consideration
to teach him some basics about the source code. The experts were very
accomplished—academics from established universities. Did try to at least have
more than a working familiarity with the basics/fundamentals, sitting side by
side with a UC-Irvine professor. We did that over weekends. Process of deciding who should pick should
involve lawyers. We kept a record of our communications, maintaining those
notes and allowed lawyers to request production though they didn’t. Learned
enough to preside over the case. At the end, he asked the expert for his view
(sealed) and he looked in the sealed envelope after making his decision—he ended
up disagreeing with the expert.
Variants are available to judges—can have not a technical
adviser for the court with the right to communicate off the record or
court-appointed experts testifying in court.
More common in patent cases.
Kramer: you presided over Perfect 10 and UMG; did you know
their significance?
J. Matz: knew it would go up; it’s rare for a district court
to create a precedent without appellate review.
Very often judges make decisions that need to be made, even though they’re
not comfortable making them—sometimes they think that if they’re wrong, the
court of appeals will reverse them; sometimes they just have to act. It’s not
comfortable to issue a ruling no matter how hard you’ve worked when you know that
you don’t know the full record the way you would’ve known it if you were a
lawyer on one side. Must make choices
about how to spend time.
Tyler Ochoa: Frequent 512 issue is what “knowledge” means.
J. Whyte: I didn’t think knowledge was a big issue in Netcom.
“Knowledge” was used without having to resolve exactly where the
knowledge was; tough question.
J. Matz: can arise in terms of the adequacy of takedown
notices. Has been frustrated in a case
with more than 30,000 works were the subject of an infringement claim, and many
works infringed many times; issues of TM too. Issues with adequacy of notice as
well as adequacy of assignments/ownership claims. How do lawyers get their arms around such
sprawling facts? Knowledge is a spectrum.
Monahan: start with common sense. A general claim that there’s
a bunch of infringing stuff on your site—if that’s sufficient, the DMCA is
worthless. If someone can send a letter saying “take this item down and all
future items of this sort” and have that be effective, that could also shift
the monitoring burden to eBay. Very hard
for eBay to have actual notice outside of DMCA—it would always be red flag
knowledge unless an eBay employee knew the guy who was posting the illegitimate
stuff.
Whyte: what if it’s something that’s often counterfeited?
Monahan: unofficially, yes, we went as far as we could with
proactive, voluntary searching to figure out non-brand-specific terms for
counterfeiting—slang terms that we learned over time were indicia of piracy,
e.g., “silver discs” in music (? This might be slang I misunderstood). But at
the end of the day, if there’s no indicia on the face of it we have the rights
owner make the call. We apply the same approach with TM; worked so well in
copyright that we did it in TM too. Have reached out to some owners for help
with indicia.
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