Wednesday, March 11, 2015

New paper: response to Fishman's Creating Around Copyright

Joseph Fishman's article Creating Around Copyright was just published in the Harvard Law Review. Abstract:
It is generally understood that the copyright system constrains downstream creators by limiting their ability to use protected works in follow-on expression. Those who view the promotion of creativity as copyright’s mission usually consider this constraint to be a necessary evil at best and an unnecessary one at worst. This conventional wisdom rests on the seemingly intuitive premise that more creative choice will deliver more creativity. Yet that premise is belied by both the history of the arts and contemporary psychological research on the creative process. In fact, creativity flourishes best not under complete freedom, but rather under a moderate amount of restriction. Drawing from work in cognitive psychology, management studies, and art history, this Article argues that contemporary copyright discourse has overlooked constraint’s generative upside. The Article unpacks the concept of constraint into seven characteristics: source, target, scope, clarity, timing, severity, and polarity. These characteristics function as levers that determine a given constraint’s generative potential. Variation in that potential provides an underappreciated theoretical justification for areas in which copyright law is restrictive, such as the exclusive derivative work right, as well as areas where it is permissive, such as the independent creation and fair use defenses. The Article reveals that the incentives versus access debate that has long dominated copyright theory has misunderstood the relationship between creativity and constraint. Information may want to be free, but creativity does not.
My response is here. A brief taste:
Most copyright restrictionists, of whom I count myself one, don’t want to eliminate all copyright law. Fishman’s argument is directed at creators who want to take an existing work and do something with it — incorporate parts of it into a new creative work or make a derivative work based on it. Because the question is the proper scope of copyright as applied to these works, the comparison should not be to a world without copyright, but should instead focus on the marginal effects of expanding or contracting copyright’s definitions of substantial similarity and derivative works. Once the question is properly framed, I have concerns about the major analogies Fishman uses — patent law and experimental evidence about other types of constraints on creativity — as well as his model of the rational creator.
... Neither information nor creativity wants to be free (or chained), because neither of those concepts wants anything. People do. And when copyright restrictionists speak of “freedom,” it’s not because we want to make up our own languages or breathe on the moon, awesome as that might be. It’s because broad copyright produces specific winners and losers, and the winners are gaining too much at the expense of the losers.
Dan Burk also has a response, here.

Past falsity is no guarantee of present results

Dyson, Inc. v. Euro-Pro Operating LLC, No. 14-cv-09442 (N.D. Ill. Mar. 10, 2015)
 
I’m going to try to go light on the details of the tests here, featuring evaluations of vacuums’ carpet cleaning power.  Bottom line: while Dyson brought some serious objections to Euro-Pro’s tests and showed likely liability for past wrongful activity, it was not entitled to a preliminary injunction.

Euro-Pro runs ads claiming that “the one and only industry-recognized test of carpet cleaning,” performed by an independent laboratory, shows that its “Shark Rotator Powered Lift Away” vacuum deep cleans carpets better than Dyson’s “Animal” vacuum.
 
ASTM standards for carpet cleaning (the world is a big place with many standards!) use several types of carpet as a stand-in for the variety of carpets a vacuum will encounter in the real world. They require results to meet the 90% confidence level, as well as sampling at least three machines from any given model.  (Confidence intervals can be made smaller by using more samples.)  The settings should be tested as provided for in the instruction manual for each type of carpet; there are other highly detailed specifications about testing procedures, including the pattern, speed, and height the tester should use to vacuum and how to clean the vacuum between tests.  The percentage of dirt removal effectiveness is the average of the geometric means obtained by making three cleaning passes per test vacuum over each of the four carpet types in the prescribed pattern.
 
While Dyson’s vacuum adjusts automatically to the type of carpet, “the names of the settings and the corresponding instructions, handle nomenclature, and handle icons changed multiple times after the release of Euro-Pro’s NV650.” The record contained three complete sets of instructional materials (manual, quick start guide, and hang tag) plus a fourth set of instructions comprised of a manual and quick start guide that Euro-Pro posted on its website in December 2014, which weren’t packaged with the vacuums on store shelves. “Thus, the marketplace has a mix of outdated and current instructions.”  The instructions generally told consumers to use upper settings (less suction, which means less cleaning ability) on shag/high pile carpet. Euro-Pro argued that it consistently intended the middle setting to be used for carpet unless the vacuum was difficult to push or pull (meaning more suction on high pile carpet unless it caused trouble pushing/pulling).
 
Euro-Pro prominently and extensively claimed in its ads to have independent lab tests to back up its better suction claim. For example, one of the versions of its short-form infomercial has this graphic:
 

Its banner ads don’t generally include the disclaimer about the setting used for testing; Euro-Pro said that this was due to space limitations, but didn’t show that it would be unable to include a disclaimer if it changed its graphic.
 
When the Euro-Pro model launched in July 2014, the person who made the claims in the infomercials didn’t actually know whether Euro-Pro had independent lab tests supporting its claim of cleaning superiority, though his team had been tasked with designing a vaccum that would outclean the Dyson.  He believed that his team would have ensured that Euro-Pro’s claims were supported by appropriate testing when the infomercial was released and the boxes with cleaning superiority claims appeared on store shelves.
 
The claims at issue are establishment claims, and Dyson argued that Euro-Pro’s tests failed to substantiate them. The court considered only third-party testing, not internal testing, and then only third-party testing that failed to meet the 90% confidence level, since such tests were noncompliant with ASTM’s requirements. Based on the remaining universe of third-party testing, the court didn’t find a sufficient likelihood of success on the merits.
 
However, when Euro-Pro launched the NV650 in mid-2014, its representation that independent laboratory testing supported its cleaning superiority claim was false. It didn’t have such tests then, and it also was uncertain whether the lab that ran the tests at issue was really independent. Dyson might ultimately be entitled to damages for the period of time in which Euro-Pro’s claim was false, but not to a preliminary injunction.
 
One detail from the testing: the court believed that the fact that the confidence intervals varied across tests, depending on the sample size, created a “fundamental problem” with the parties’ evidence.  A comparison of mean results, stripped of the accompanying upper and lower ranges of the confidence limit/confidence interval, wouldn’t necessarily tell the full story of truth or falsity, since a broad confidence interval might mean it was pretty likely that any particular vacuum would diverge from the mean.  (Regardless of the size of the confidence interval, though, the mean is still the best estimate in any given test.)  The court wanted the parties to address this issue, likely with statistics experts, as they proceeded.
 
The biggest fight was about the appropriate settings/level of suction for the tests, based on ASTM’s instructions to use the manufacturer’s own settings, which were incredibly hard to figure out/inconsistent.  (If there had to be a mini-trial about the right settings, my inclination would be to interpret the instructions against the drafter and require the “tests prove” claim to be accurate as to either alternative; otherwise I’d find that the tests don’t prove the proposition for which they are claimed.)  The court found that the current instructions told consumers to use the middle setting (higher suction, thus greater cleaning) unless they experienced difficulty pushing or pulling the vacuum (in which case they should use the lower-suction setting).  The NV650 moved easily on ASTM-compliant carpet, which I take to mean that it was ok to base claims on the middle setting going forward, though the court didn’t make a final ruling on what setting should have been used for testing deep carpet. “Euro-Pro’s revisions cured any defects in the prior versions of its product documentation.” And claims of past harm can’t support preliminary injunctive relief.
 
Taking the relevant tests together, the NV650 narrowly edged out the DC65, though further development of the record could change this conclusion.  While “Dyson’s injury in the face of Euro-Pro’s advertising claims is likely to be both significant and irreparable,” there just wasn’t likely success on the merits yet.

art collector lacks remedy against foundation's claim of inauthenticity

Bilinski v. Keith Haring Foundation, Inc., 2015 WL 996423, No. 14cv1085 (S.D.N.Y. Mar. 6, 2015)
 
Keith Haring was a “prolific artist and social activist whose work responded to the New York City street culture of the 1980s.”  Plaintiffs alleged that they owned Keith Haring artwork, and that defendants interfered with the exhibition and sale of their art, reducing the value of their property. The court dismissed all of plaintiffs’ many claims.
 
The Foundation is a nonprofit established by Haring; other defendants were individual officers and directors, an entity that operated an authentication committee for the Foundation, Haring’s estate, and the president of Artestar, a company that represents the Foundation in licensing and consulting.  Haring bequeathed the majority of his works to the Foundation, as well as “any copyrights relating hereto” and trademarks. The Foundation’s collection of Haring works was valued at approximately $25 million as of 2011. It earns income by selling pieces from its collection; individual pieces can fetch millions of dollars.
 
The Foundation operated an Authentication Committee to review artwork attributed to Haring and issue opinions regarding the authenticity of submitted works, which was dissolved in 2012. The dissolution increased the value of previously-authenticated works. “Many auction houses require a certificate of authentication as a condition of sale, but will sell Haring artwork without a certificate with the tacit approval of the Foundation.” Private sales may occur at reduced prices without authentication or Foundation approval. 
 
Plaintiffs owned 111 pieces of Haring work they believed to be authentic, tracing title through a personal friend of Haring. In 2007, the Foundation rejected 41 of Bilinski’s works as “not authentic,” but did not provide a reason and stated that the determination by the Committee could “change by reason of circumstances arising or discovered ... after the date of this opinion.” Bilinski gathered additional evidence of authenticity, including a signed statement of origin from Haring’s friend.  In 2008, the Foundation accused Bilinski in writing of selling or making “available for sale items you are representing to be original works by Keith Haring when you have been duly warned they are not,” and warned Bilinski that legal action could follow if she did not cease this activity. The Foundation refused to respond to her attempts to address the issue.
 
In 2010, Bilinski brought her works to Sotheby’s. A Sotheby’s representative indicated his belief that the works were authentic, but reported that he could not do anything to help her because of the Foundation. The Gagosian Gallery reacted similarly.  Bilinski asked the Foundation to reconsider, and it refused.  Another auction house told Bilinski that the works appeared to be authentic and it would be willing to produce an auction. Bilinski also commissioned a forensic analysis of two of the works, which concluded that the two paintings “could be considered as having been produced in the mid–1980s.”
 
In 2013, plaintiffs participated in an exhibition featuring their Haring works that was scheduled to run from March 7–10. On March 8, the Foundation filed suit and sought a TRO, referring to the works as “fakes, forgeries, counterfeits and/or infringements.” The motion for a TRO referred to the show as “fraudulent.” That same day, the Foundation and the organizers of the exhibition agreed to the removal of all but ten works, and to remove and destroy all copies of the brochure and/or catalog. In a press release, the Foundation described the lawsuit as an “effort to stop the display of fake Haring works at the exhibition.” The Press Release reports that the organizers of the Miami Exhibition “agreed to remove all fake Haring works from the exhibition immediately and to destroy the offending catalogue that illustrated most of the fake works.” One plaintiff lost the sale of artwork to a museum in London as a result of the press release and litigation.
 
The antitrust claims of course failed.
 
The Lanham Act claims based on the complaint and press release also failed because they weren’t “commercial advertising or promotion.”  Allegations that the complaint and press release were published “with the intent of preventing sales of the [the plaintiffs’] works ... and of increasing the value of Defendants’ artworks at their expense” failed to allege a sufficient connection between either document and a proposed commercial transaction.  (Although the Lexmark Court didn’t resolve the commercial advertising issue, this seems in some tension with its general recognition that defaming a competitor can be enough to be false advertising, even without a direct promotion of competing goods.)
 
Plaintiffs’ state law tort claims also failed. The court exercised its supplemental jurisdiction from concerns of convenience and judicial economy. “Under New York law, statements made in the course of legal proceedings are absolutely privileged if pertinent to the litigation,” even if made with actual malice. The statements in the underlying complaint were privileged, because they were directly relevant to the central dispute. 
 
The statements in the press release, however, weren’t privileged.  The fair report privilege protected substantially accurate reports of any judicial proceeding, but application of that privilege was inappropriate at the motion to dismiss stage if a reasonable jury could conclude that the report “suggest[ed] more serious conduct than that actually suggested in the” judicial proceeding.  The press release characterized the parties as having agreed to remove “fake” Haring works.  But there was no such admission by the exhibition organizers, and a reasonable jury could find the privilege inapplicable.
 
Defamation/conspiracy to defame claims failed because no reasonable jury could conclude that the press release was of and concerning them, rather than the organizers of the exhibition. Any defamation was of the organizers; any implication only disparaged their property.
 
Tortious interference with business relationships: the complaint failed to identify the London buyer or allege that the defendants knew of the business relationship at the time they filed their lawsuit or issued the press release.
 
Trade libel: assuming the plaintiffs sufficiently alleged defamation of their goods, they still failed to allege special damages, which had to be itemized.  Again, the complaint didn’t name the London buyer or the sales price. Plaintiffs argued that the requirement that the lost customers be identified may be relaxed when disparaging comments are disseminated widely and the nature of the plaintiffs’ business prevents the identification of lost customers. But none of those cases excused the failure to identify the lost sales associated with the London Museum, and they weren’t solid authority for this situation. Intentional infliction of economic harm/prima facie tort: again, plaintiffs failed to plead special damages. 
 
Unjust enrichment: The allegations that the value of defendants’ Haring works was increased by preventing others from selling the works, and that certain individual defendants were enriched through the salaries and fees paid by the Foundation, weren’t sufficient.  The benefits allegedly acquired didn’t flow directly to the defendants at plaintiffs’ expense; they were indirect and hypothetical. Also, the connection between the alleged harm to the plaintiffs and the compensation paid to individual defendants was too attenuated to support an unjust enrichment claim.

Tuesday, March 10, 2015

Foie gras as speech? even so, it can still be challenged under UCL

Animal Legal Defense Fund v. LT Napa Partners LLC, 2015 WL 1004423, No. A139625 (Cal. Ct. App. Mar. 5, 2015
 
ALDF sued LT Napa alleging that defendants sold foie gras in their Napa restaurant in violation of California’s law banning such sale; the trial court denied an anti-SLAPP motion and the court of appeals affirmed. In early January, a federal district court found the foie gras sale ban preempted, but the appeals court found that this didn’t moot the case at bar.
 
Defendant Frank, the head chef at Napa restaurant La Toque (owned by defendant LT Napa), was a vocal opponent of the ban.  After the ban went into effect, ALDF paid an investigator to dine at La Toque three times: September 2012, October 2012, and March 2013:
 
On each occasion he requested foie gras and was told that if he ordered an expensive tasting menu he would receive foie gras. On two of the occasions it was described as a “gift” from the chef. He ordered the tasting menus and was served foie gras. He was not told he was served foie gras in protest against the foie gras ban and was not provided information about defendant Frank’s opposition to the foie gras ban.
 
(Defendants argued that they now presented a protest card when offering a “gift” of foie gras, and that they did so randomly rather than systematically, but those were contested facts on which the court refused to rely.)
 
ALDF tried to get Napa authorities to act, but the city attorney declined, so ALDF sued under the UCL. For purposes of appeal, the court assumed that the lawsuit arose out of defendants’ conduct in furtherance of speech. Nonetheless, ALDF showed a probability of prevailing, justifying rejection of the anti-SLAPP motion. First, ALDF showed a probability of prevailing on standing.  The UCL requires plaintiffs to have lost money or property as the result of the defendant’s unfair business practices.  The evidence that ALDF “has diverted significant organizational resources to combat [defendants’] continuing illegal sales of foie gras,” undertaking various activities that would not have been necessary without defendants’ acts. Kwikset, in which the California Supreme Court interpreted the UCL, cited a case with favor in which a housing advocacy organization met its UCL standing requirement by “present[ing] evidence of actual injury based on the loss of financial resources in investigating [a] claim and diversion of staff time from other cases to investigate the allegations here.”  Cases applying the federal standing requirement, which was broader than the UCL standard but still relevant, also supported finding standing here with an organizational plaintiff. 
 
A cost incurred simply to initiate litigation is insufficient, but “funds expended independently of the litigation to investigate or combat the defendant’s misconduct may establish an injury in fact.”  Here, ALDF presented evidence of a genuine and longstanding interest in the effective enforcement of the statute and in exposing those who violate it. “Plaintiff’s evidence provides a basis to conclude that defendants’ alleged violations of the statute tended to frustrate plaintiff’s advocacy for an effective ban on the sale of foie gras in California, and tended to impede plaintiff’s ability to shift its focus on advocacy efforts in, for example, other states and at the federal level.” This evidence also showed that the defendants’ acts “caused” ALDF’s harms for purposes of rejecting the anti-SLAPP motion.
 
ALDF likewise showed a probability of prevailing on its claim that defendants unlawfully “sold” foie gras. Defendant Frank’s declaration indicated his personal responsibility for the restaurant’s acts: “In the exercise of my constitutionally protected right of petition and free speech, my restaurant, La Toque, is protesting the law, not breaking it, by giving away foie gras to customers I choose to give it to. … [W]hat I do give away to customers is my way of dumping tea in the harbor, so to speak.”
 
Moreover, the court was unpersuaded by defendants’ argument that there was no “sale” here. Ennabe v. Manosa, 58 Cal.4th 697 (2014), found that a law imposing liability on a person “who sells, or causes to be sold, any alcoholic beverage, to any obviously intoxicated minor” applied where the defendant supplied alcohol to a minor at a party, and the minor was charged a fee to enter the party.  Ennabe favorably cited a California AG opinion interpreting liquor licensing laws with respect to commercial enterprises that offer “complimentary” alcoholic beverages to paying customers who purchase another good or service to be a “sale,” even though there was no additional charge to customers who elected to consume alcohol.  To hold otherwise would undermine the legislature’s regulatory intent, and the same was true here.
 
“Plaintiff’s investigator’s decision to order and agreement to pay the specified price for the tasting menu was the consideration offered for the entirety of the food served, including the foie gras.”  Defendants argued that they didn’t give foie gras to everyone who bought the tasting menu at that price, but that fact was irrelevant. “[R]egardless of whether other patrons paid the same amount without receiving foie gras, the investigator’s averments show the receipt of foie gras was part of the tasting menu offered to him prior to his decision to order it. Thus, the foie gras was part of the property he was offered for the price he agreed to pay.” This was a sale.  The “gift” characterization of the server didn’t matter because the investigator could only get the “gift” by buying the tasting menu.

Copyright preemption bars athletes' right of publicity claims against photo sales

Maloney v. T3Media, Inc., No. 14-cv-05048 (C.D. Cal. Mar. 6, 2015)
 
Plaintiffs, members of the Catholic University basketball team from 1997 until 2001, sued T3, which provides cloud-based storage, hosting and licensing services for digital content uploaded by third-parties. T3 entered into an agreement with the NCAA to store, host, and license thousands of photographs for which the copyrights are owned and/or controlled by the NCAA, including photos of plaintiffs.  People could view samples and descriptions of the photos, and buy a non-exclusive license to download a single copy of a photo for personal use.  Plaintiffs, on behalf of a putative class of current and former NCAA student-athletes, sued for violation of their statutory and common-law rights of publicity, and added a derivative UCL claim.  (Why doesn’t §230 take care of this in the 9th Circuit, at least for T3?)
 
The court granted T3’s special motion to strike under California’s anti-SLAPP law. The court quickly agreed that, as required by the anti-SLAPP law, the claims here arose from protected activity.  First, the challenged conduct was “publication made in a public forum in connection with a matter of public interest,” and second, it was “in furtherance of the exercise of the . . . constitutional right of free speech in connection with a public issue or an issue of public interest,” both of which are protected statutory categories. The website was a public forum even though it didn’t allow members of the public to comment; and anyway the statute applies in that second provision to private communications as long as they concern a public issue.  The statute doesn’t define a “public issue” or an “issue of public interest,” but it does provide that it shall be construed broadly. Courts have therefore found that “an issue of public interest . . . is any issue in which the public is interested.” And here, this wasn’t a hard call: “The photographs here depict moments in NCAA sports history.”
 
Under the anti-SLAPP law, the burden thus shifted to plaintiffs to prove a probability of prevailing on their claims—essentially an early summary judgment proceeding.
 
The court didn’t have to address the First Amendment or statutory defenses for depicting sporting events, because it found §301 preemption.  Section 301 preempts causes that concern the same subject matter and the same rights as copyright.  As to the subject matter, plaintiffs’ claims came from advertising and sale of images to the public; the images were photographs, which fall within the subject matter of copyright.
 
Plaintiffs argued that they weren’t asserting rights in the photos, but rather rights in their likenesses, which aren’t works of authorship.  This has always struck me as a distinction without a difference, given that the likenesses are an inseparable part of the photos.  But plaintiffs argued that under Downing v. Abercrombie & Fitch, 265 F.3d 994 (9th Cir. 2001), publicity claims were categorically not preempted. 
 
T3 responded that Downing, and all the other cases plaintiffs cited, involved “the use of plaintiffs’ names and likenesses to sell commercial products and services . . . .”  By contrast, here “the plaintiffs are trying to prevent the display, reproduction, and/or distribution of copyrighted works.” Note that this distinction seems more relevant to part two of the §301 analysis (extra element), but the court agreed that Downing was only rejecting preemption as applied to use of photos in an ad campaign. 
 
In Laws v. Sony Music Entm't, Inc., 448 F.3d 1134 (9th Cir. 2006), the Ninth Circuit explained that, in Downing, “[defendant] had not merely published the photograph. Rather, it published the photo in connection with a broad surf-themed advertising campaign, identified the plaintiffs-surfers by name, and offered for sale the same t-shirts worn by the plaintiffs in the photo.”  Thus, the use of the name/likeness was separated from the copyrighted work itself.  Downing had distinguished Fleet v. CBS, Inc., 50 Cal.App.4th 1911, 58 Cal.Rptr.2d 645 (Cal. Ct. App. 1996), by contrasting the Fleet plaintiffs, who sought to prevent the defendant from reproducing and distributing their copyrighted performances, with the Downing plaintiffs whose “claim [was] based on the use of their names and likenesses, which [were] not copyrightable.”  (Note, however, that the Fleet plaintiffs’ names and likenesses were used, as was Laws’ name in connection with her sampled song; it’s just that they were used in direct connection with identifying the subject matter—who was in the film or who sang the song, respectively.)
 
An unpublished decision in Lightbourne v. Printroom, Inc., No. SACV 13-00876, held similar claims by student athletes against a company selling photographs were not preempted by copyright.  But the critical distinction at issue was not identified, and the court didn’t find Lightbourne persuasive. “Defendant correctly observes the difference between merely selling a copyrighted photograph containing an athlete’s likeness and using the athlete’s likeness contained in the photograph for some other purpose.” 
 
Here, the likeness was only used “insofar as it is contained in the four corners of the copyrighted work,” justifying preemption.  But using the image to sell a box of cereal or a T-shirt would be use “for some purpose beyond the four corners of the copyrighted work” and would suggest endorsement of that other use.  (I think this result is right, but as expressed here it doesn’t make much sense.  If I buy a T-shirt with a celebrity on it, how is that different from buying a photo of the celebrity or a video of celebrity playing a game?  In both cases I am paying for a material object but what I really want is the representation of the celebrity; and yet I don’t think the court means to limit its holding to intangible downloads.  And note the recent Marley case in contrast to the automatic assumption that appearance on a T-shirt equals endorsement.)  The court here agreed with the Seventh Circuit that “the basis of a right of publicity claim concerns the message—whether the plaintiff endorses, or appears to endorse the product in question.”   Toney v. L'Oreal USA, Inc., 406 F.3d 905, 910 (7th Cir. 2005).  That only occurs when the use of the athlete’s likeness extends beyond the four corners of the work.  (But why?  Why couldn’t consumers assume that the athlete endorsed within the four corners?  Why doesn’t the athlete at least get a chance to prove that?  I don’t think he should, let me be absolutely clear, but the reason has to be more than just certainty in advance of evidence: it has to be that we aren’t willing to let the athlete control copyrighted works in that way.  That’s why I think conflict preemption works better than conventional §301 analysis.)
 
Because plaintiffs didn’t allege use beyond the “four corners” of the photos themselves, their claims were preempted.  Their claims sought to prevent T3 from distributing the copyrighted works themselves.  “Accepting Plaintiffs’ interpretation without separating the likeness from the work would impermissibly negate Copyright’s intended preemptive effect.    Further, it would destroy copyright holders’ ability to exercise their exclusive rights under the Copyright Act, effectively giving the subject of every photograph veto power over the artist’s rights under the Copyright Act and destroying the exclusivity of rights the Copyright Act aims to protect.”
 
Plaintiffs argued that the contrary cases were distinguishable because they involved copyrightable performances.  But that was confusing the question of which exclusive copyright right was at issue with preemption. “For Plaintiffs’ claims to succeed, they must identify some use of their likenesses (as captured in the photographs) independent of the mere sale of the pictures. Otherwise, these sales fall squarely within the rights of display, reproduction, and distribution controlled by the Copyright Act” (citations omitted). The photos were only used to advertise their own sale.  (And that of other pictures?  Would showing them as a sample of what was available count to take this out of the preemption category?)  This attempt “to prevent nothing more than the reproduction, performance, distribution, or display of a [copyrighted work] is subsumed by copyright law and preempted.” Fleet.
 
Under these circumstances, plaintiffs’ “likenesses [can] not be detached from the copyrighted [work]” and their claims were preempted.  KNB Enterprises v. Matthews, 78 Cal. App. 4th 362 (Cal. Ct. App. 2000), addressed the defendant’s contention “that something more than a mere infringing use is required to avoid preemption of a [right-of-publicity] claim,” but found no preemption because the defendant didn’t have legal rights to publish the copyrighted work; that was not the case here.
 
Returning to Downing, the plaintiffs’ argument that it categorically established a no-preemption rule could be thought to apply to the second prong: “Because the subject matter of [plaintiffs’] right of publicity claims is their names and likenesses, which are not copyrightable, the claims are not equivalent to the exclusive rights contained in § 106.” (That sounds like prong one, but ok.)  To survive preemption, a state cause of action must have an extra element that changes the nature of the action. But here, there was no use of plaintiffs’ names or likenesses independent of the display, reproduction, and distribution of the copyrighted images in which they are depicted. Thus there was no extra element rendering their claims qualitatively different from the copyright holder’s right in the photographs themselves.  It wasn’t that plaintiffs would need to be the copyright owner to have rights, the court said: it was that they didn’t “identify a use of their likenesses independent of the copyrighted works.” As a result, their claims involved both the same subject matter and the same rights and were preempted.

Transformative work of the day, animal edition

Hairy Otter, from an eagle-eyed (or is that otter-eyed) reader.

Monday, March 09, 2015

None but Bob Marley's heirs can free our minds

Fifty-Six Hope Road Music, Ltd. v. A.V.E.L.A., Inc., --- F.3d ----, 2015 WL 728031, No. 12–17502 (9th Cir. Feb. 20, 2015)
 
Despite being a plaintiff victory, there’s a fair amount in here that might hearten opponents of a generalized merchandising right, suggesting that at least some 9th Circuit judges are willing to rethink trademark expansionism. (Of course, “at least some 9th Circuit judges” might be willing to consider just about anything.)
 
Bob Marley “transcended celebrity roles from pop idol to muse, championing social change and diffusing his music and message to an ever-growing audience. Even now—more than thirty years after his death—Marley’s influence continues to resonate, and his iconic image to command millions of dollars each year in merchandising revenue.”  Marley’s children own plaintiff Hope Road, formed to exploit Marley’s image; plaintiff Zion is Hope Road’s exclusive licensee for t-shirts and other merchandise.  Defendants sold competing merchandise: the AVELA defendants owned photographs, images, movie posters, and other artwork, and licensed them to defendants Jem and Freeze for the production of Marley t-shirts and other merchandise. These items were sold at Target, Walmart, and other large retailers.
 
A jury found that defendants used Bob Marley’s image on T-shirts and other merchandise in a manner that was likely to cause confusion as to plaintiffs’ sponsorship or approval of the merchandise.  Defendants waived several defenses by failing to properly raise them; the 9th Circuit noted that it was not ruling on the merits of these defenses: Aesthetic functionality; Dastar; and Rogers v. Grimaldi/the First Amendment, which may be waived.  And on appeal, the record wasn’t sufficiently developed to rule on those issues.  (It’s not clear to me what record would be needed on Dastar and Rogers, but ok!)
 
Characterizing its holding as “narrow,” the court stated that this was a familiar false endorsement claim.  Defendants argued that the claimed right in “persona” was too “amorphous” to constitute a “name, symbol, or device” under § 1125(a). Case law says otherwise, where a distinctive attribute of the celebrity’s identity is imitated and an implied endorsement results.
 
Plaintiffs disclaimed any source confusion theory, relying only on sponsorship/approval confusion. Along with the usual factors, “[w]here the plaintiff is not the celebrity himself, an additional factor becomes relevant: the strength of association between the mark and the plaintiff.”  The evidence did not compel a finding contrary to the jury’s verdict.  There was evidence of a high level of recognition of Marley’s image among defendants’ target market, as well as testimony that Marley’s image has long been associated with apparel, both by Marley and by his successors-in-interest.
 
Defendants objected to plaintiffs’ confusion survey, consisting of 509 face-to-face interviews conducted by professional interviewers with individuals in shopping malls. Interviewers showed the test group an actual AVELA T-shirt bearing Bob Marley’s image and showed the control group a T-shirt bearing the image of an unrenowned African–American man with dreadlocks. To the question “Who do you think gave their permission or approval for this particular T-shirt to be made or put out?” 37% of the test group answered “Bob Marley/the person on the shirt or his heirs, estate, or agents.” With the control group, the answer was 20%.
 
Many survey respondents subsequently opined that the law required permission from the person whose image appeared on the shirt. We need not entangle ourselves in lay legal opinion. Rather, we look solely at the former set of responses, which indicates actual confusion. The latter responses only answer why some of those surveyed were confused.
 
Defendants argued that the identity of the putative endorser was indefinite, and that a false endorsement claim should have an identifable endorser.  But there was no precedent that a single entity must be falsely understood at the party that approved the product or that the survey taker must be able to identify the party. “Thus, identifying Marley or whoever holds the rights to his persona in the alternative does not render the survey data useless or irrelevant. Rather, the imprecision of the data merely decreases its probative value.”  A jury could rely on this factor, along with other factors, to find likely confusion.
 
There was also evidence of shared marketing channels and a low degree of purchaser care for these “impulse” buys.  Given the similarity between a plaintiffs’-licensed shirt and an AVELA-licensed shirt, the jury could have inferred that defendants “sought to associate their product with Plaintiffs by intentionally creating similar merchandise.”
 
Because Marley himself wasn’t the plaintiff, the court also considered the strength of the association between Marley and the plaintiffs, which was more important where the evidence primarily indicated likely confusion that the celebrity himself sponsored or approved defendants’ products.  Cairns held that Princess Diana’s image was only weakly associated with the plaintiffs claiming to control her publicity rights, “largely because Princess Diana’s image had not served a source-identifying (trademark) function during her life or after her death.” Pervasive unauthorized use “will tend to dull the popular perception that use of that persona signifies an endorsement at all, weakening the initial automatic association between the celebrity and his or her estate.” In Cairns, the defendants and others had been selling products bearing Princess Diana’s image since before her death, and Princess Diana “knew of the vast commercial uses of her image” and “did nothing to prevent others from using her image while she was alive.”
 
By contrast, Marley sold merchandise bearing his image during his lifetime, and his successors-in-interest continued to do so, “implying that his image served (and continues to serve) a source-identifying function.”  [Right, because consumers are aware of the individualized enforcement practices of celebrities.] True, there’d been significant unauthorized use of Marley’s persona since his death, but that use was not “uncontested,” since plaintiffs sent more than 400 cease and desist letters and filed more than 20 lawsuits. “Thus, the jury was free to infer that the source-identifying function of Marley’s persona had not weakened to the extent that there was no likelihood of confusion.”
 
In addition, plaintiffs showed that one defendant approached Rohan Marley, one of Bob Marley’s sons and an owner of Hope Road, seeking rights to create Bob Marley merchandise. These actions imply Hope Road “was known to be associated with Bob Marley’s image.”  [By whom?  The passive voice doesn’t tell you, because the defendant wasn’t a relevant consumer.] Another former AVELA licensee testified that it was “common understanding in the licensing industry” that Hope Road owned the rights to Marley (emphasis added). Defendant Freeze’s vice president of licensing also stated that she knew of Zion’s license to Marley’s persona based on “market knowledge.”
 
Defendants then argued that Marley’s image would have needed to have been used in connection with a separate product or service to constitute an “endorsement.” But defendants used the mark (persona) on “goods.”  “[A] viable false endorsement claim does not require that the mark be used in connection with separate goods to promote the purchase of those separate goods—but may be used directly on the defendant’s goods.” 
 
Defendants claimed that this interpretation would create a federal right of publicity, but the court of appeals disagreed.  Federal claims “require an additional element—that the use be likely to confuse as to the sponsorship or approval of a defendant’s goods.” Although defendants argued that consumers would always associate a deceased celebrity’s image with his/her estate, “a plaintiff must show more than mere association to succeed in a false endorsement claim…. [T]he outcome of this case is in part a function of defenses expressly waived by Defendants. We are not in the position to assess the Defendants’ litigation strategy.”
 
Other issues: The district court didn’t abuse its discretion in determining profits, or finding that one defendant, Freeze, willfully infringed, because Freeze’s vice president of licensing testified that she knew that plaintiffs had the right to merchandise Marley’s image before Freeze began selling similar goods. Further, the Seventh Amendment didn’t require that a jury calculate these profits, because juries have not traditionally done so, and a claim for profit disgorgement is equitable in nature. Along with its fact-intensive discussion of profits, the court commented:
 
The district court ought to tread lightly when deciding whether to award increased profits, because granting an increase could easily transfigure an otherwise-acceptable compensatory award into an impermissible punitive measure. Generally, actual, proven profits will adequately compensate the plaintiff. Because the profit disgorgement remedy is measured by the defendant’s gain, the district court should award actual, proven profits unless the defendant infringer gained more from the infringement than the defendant’s profits reflect.
 
Here, though plaintiffs claimed that defendants accrued goodwill from their infringement, they didn’t provide evidence of that fact.
 
Nor did the district court abuse its discretion by ordering certain defendants to pay attorneys’ fees, because the case was exceptional due to defendants’ willful conduct.  Egregious conduct isn’t required, nor is bad faith; the court considers the relief obtained and whether the relevant area of law was unclear at the time of the conduct. The uncertainty of the law weighed in defendants’ favor, but that was only one aspect of willfulness. Along with defendants’ awareness of the conflict between their conduct and plaintiffs’ rights (including previous attempts to seek a license/awareness of the rights discussed above),
 
Roberto Rabanne, a photographer who took pictures of Bob Marley, testified that Valencia had convinced him to write a false email to help Valencia negotiate with the Marley family for a license. The email falsely stated that Rabanne had used photographs of Marley on merchandise during Marley’s lifetime. Rabanne also testified that he refused Valencia’s request to backdate a 2006 photograph licensing agreement between them to 2003 or 2004. According to Rabanne, Valencia claimed that backdating the agreement would help him in “negotiations.” Valencia also asked Rabanne to delete emails from him and files on his hard drive and said he would flood the market with Marley merchandise so that Plaintiffs could not use the photographs of Marley anymore.
 
“Thus, even considering the uncertainty of the law, this conduct exhibits a subjective belief that A.V.E.L.A. Defendants’ conduct infringed Plaintiffs’ intellectual property rights.”  Even though there’d already been disgorgement, a fee award served an additional compensatory purpose.
 
Defendants Freeze and Jem didn’t have to be required to pay attorneys’ fees too, though, because the evidence was not as strong; there was no contradiction in the court’s varying conclusions, and evidence sufficient to allow a jury to find willfulness by a preponderance of the evidence doesn’t require a finding that a case is exceptional. While plaintiffs’ argument that the district court shouldn’t have relied on the profits award against those two defendants to deny fees had some merit—because a monetary award should support an attorneys’ fees award—that wasn’t enough to make its decision an abuse of discretion.  (There’s some tension here with the court’s earlier statement that the fee award represents additional compensation, even though the other defendants had already been required to disgorge their profits—if the question is how much compensation is in order, then I think the fact that plaintiffs have already been compensated could justify denying fees.)
 
Next: The district court properly granted summary judgment on plaintiffs’ right of publicity claim, because Nevada’s right of publicity statute unambiguously provided that a publicity right successor waived its publicity rights, not just the right to sue a particular person, by failing to timely register its rights.  Under Nevada law, “A successor in interest ... of a deceased person may not assert any right against any unauthorized commercial use of the deceased person’s name, voice, signature, photograph or likeness that begins before the filing of an application to register his or her claim.” Further,
 
A person claiming to be a successor in interest to a deceased person must, within 6 months after the date he or she becomes aware or should reasonably have become aware of an unauthorized commercial use of the deceased person’s name, voice, signature, photograph or likeness, register a claim with the Secretary of State …. Failure to register shall be deemed a waiver of any right of publicity.
 
Plaintiffs argued that the six-month registration requirement applied with respect to each unauthorized use, and that they registered their rights either before or within six months after learning of defendants’ unauthorized use.  The court of appeals found the statute unambiguous: “[A]ny right of publicity” “indicates that the forfeiture is broad, not limited to the particular unauthorized use a plaintiff became aware of six months or more before.”  Ambiguity aside, context, reason, and public policy supported the district court’s interpretation.
 
Under Nevada law, registration was permissive absent knowledge of unauthorized use; a successor in interest could only enforce its rights with respect to unauthorized use that occurred after registration.  But registration would become mandatory once the claimant knew of unauthorized use. Read together, the provisions encouraged successors in interest to register sooner rather than later.  The first provision penalized failure to register by not allowing the successor to “assert any right” against unauthorized use that occurred prior to registration. But the later provision penalized failure to register by deeming a “waiver of any right” of publicity. If the legislature meant that the right would have been only partly waived but would still exist, it could have used parallel language for both provisions.
 
Plaintiffs argued that the purpose of the statute was to give rights, not to forfeit them.  Yes, broadly speaking, but the legislature also intended to limit successors’ rights; they terminated 50 years after the person’s death, and living persons never needed to register to have rights. “Thus, the six-month registration requirement is in line with the qualified nature of rights allowed successors under the statute.”
 
The jury also had sufficient evidence to find that certain defendants intentionally interfered with plaintiffs’ prospective economic advantage, based on Hope Road’s licensing agent’s testimony that one of Hope Road’s licensees lost an order intended for Walmart, because defendant Jem sold Marley t-shirts there.
 
Judge Christen concurred in part and dissented in part, noting that “the narrow holding [on false endorsement] is dictated by the standard of review on appeal, and by the defenses actually pursued by defendants.”   She pointed out that the survey asked two questions, (1) “Who do you think made or put out this particular T-shirt?” and (2) “Who do you think gave their permission or approval for this particular T-shirt to be made or put out?” Plaintiffs conceded that their claim wasn’t based on (1), so only (2) provided relevant evidence.  The 37%/20% who said Marley, or “the person on the shirt,” or Marley’s heirs etc., were asked why they thought so.  Representative answers included: “Because I don’t know anyone else that would have those types of rights,”“Because his picture is on the shirt,” and “I’m assuming there’s some kind of copyright.”
 
Those responses showed two things: “(1) members of the public have no problem recognizing the late Bob Marley, an internationally famous musician; and (2) members of the public share a common lay legal opinion that Marley, or someone connected with Marley, must have sponsored the T-shirt.” But this lay opinion was likely to be held every time merchandise bore a recognizable celebrity image. The T-shirts here didn’t have a recognizable label, logo, or mark; plaintiffs’ self-described interest was “trademark-like.” Their claim was to Marley’s image itself, “arguably the very product being purchased.”  As a result, “rather than being deceived by the mark on the product being purchased, the facts suggest that consumers may have received exactly what they bargained for: a T-shirt with a picture of Bob Marley on the front.”
 
The purpose of §43(a) is “to prevent consumers from being misled or tricked into making purchases through use of a trademark.”  (You are the best, Judge Christen!)  The survey responses to question two revealed nothing about whether any purchase decision was likely to be influenced by confusion about who gave permission to produce the shirts.  Plaintiffs didn’t claim that Marley’s image suggested a particular quality, or that the shirts were “official” or otherwise had special memorabilia value.  The argument that consumers mistakenly believed that Marley, or someone connected with his estate, must have given permission for the use of Marley’s image on the T-shirt was insufficient to violate §43(a), absent a showing that consumers cared whether permission had been given. This was not enough to show that finding liability here would serve the purpose of the Lanham Act.
 
In a footnote, Judge Christen identified only three survey responses that might have possibly affected purchasing decisions: “He should get paid when someone uses his picture, even if he’s not with us,”“If he was my family, I would want someone to ask my permission if they were going to sell T-shirts of a dead family member,” and “Because it’s based on a celebrity, and his son will probably get the royalties.” She concluded: “Even when construed in the light most favorable to plaintiffs, three responses are insufficient to establish actual consumer confusion.”
 
“Confusion,” Judge Christen sagely explained, should be read in light of the Lanham Act’s purpose.  “[W]here a celebrity image is itself the only indication of sponsorship, I would hold that a finding of actual confusion under § 43(a) must be supported by some evidence that the confusion could have had an impact on the consumers’ purchasing decisions.” (Citing Stacey L. Dogan & Mark A. Lemley, The Merchandising Right: Fragile Theory or Fait Accompli, 54 Emory L.J. 461, 488 (2005) (“If individuals don’t care one way or the other whether the trademark holder sponsors or endorses such products or whether the products are officially licensed, then the competitive process certainly does not suffer from their assumption that the use required a license.”).)  Otherwise, actual confusion would become a nullity, “because consumers’ common understanding about who must have authorized the use of a celebrity image may well have nothing to do with the product.” I totally agree.
 
Because actual confusion was just one factor, Judge Christen continued, and given the record, she couldn’t conclude that the jury verdict had to be invalidated. But “[i]t is difficult to over-state the extent to which this result is the product of the unique way this case was litigated. … [O]ur holding is very narrow, and largely a function of issues and defenses the parties chose not to litigate.”

Transformative use of the day, crossover edition

Trust me, these are the droids you're looking for.

Violating taxi regulations isn't unfair competition in Pa.

Checker Cab Philadelphia, Inc. v. Uber Technologies, Inc., 2015 WL 966284, No. 14–7265 (E.D. Pa. Mar. 3, 2015)
 
Plaintiffs, taxi companies and their dispatch company, sought to enjoin Uber from operating an allegedly illegal taxi operation in Philadelphia; the court denied the motion. Plaintiffs are regulated by the Philadelphia Parking Authority, which provides them with a limited number of medallions allowing them to operate taxis.  Checker has an app, approved by the Authority, allowing people to order a ride at the touch of a button. Uber has a competing app, not approved by the Authority.  It uses drivers who supply their own vehicles and who don’t have medallions.
 
Here, plaintiffs sought an injunction based solely on its unfair competition claim under Pennsylvania common law: that it was unfair competition to run a taxi service in violation of various state and local taxi cab ordinances.  
 
The court found no likely success on the merits.  Uber’s alleged regulatory violations couldn’t support an unfair competition claim where enforcement of the relevant laws and regulations is left to regulators, and the laws provide no private cause of action.  The court cited Sandoz Pharmaceuticals Corp. v. Richardson–Vicks, Inc., 902 F.2d 222 (3d Cir.1990), finding exclusive FDA jurisdiction over alleged mislabeling of a product in violation of the FDCA.  (The court did not discuss the extent to which Pom Wonderful limited Sandoz. That might not be vital here, because California is unusual in making violation of other laws a violation of its UCL, and the court did not say that plaintiffs argued that violation of taxi laws resulted in some kind of false advertising.) In Dial A Car, Inc. v. Transportation, Inc., 82 F.3d 484 (D.C.Cir.1996), the D.C. Circuit Court of Appeals also held that private parties couldn’t invoke the Lanham Act to create a private cause of action for enforcement of local taxi regulations.  Similar results obtained in Yellow Group LLC v. Uber Technologies, Inc., 2014 WL 3396055 (N.D.Ill. July 10, 2014), Manzo v. Uber Technologies, Inc., 2014 WL 3495401 (N.D.Ill. July 14, 2014), and Greater Houston Transportation Co. v. Uber Technologies, Inc., Civ. A. No. 14–941 (S.D.Tex. Apr. 21, 2014).  The relevant issues were “best left to the state and local legislative bodies and regulatory authorities charged with implementing and enforcing the ordinances and regulations that Plaintiffs here seek to enforce by way of private litigation.”
 
Plaintiffs also failed to show irreparable harm.  Plaintiffs argued that a legal violation justified a presumption of irreparable harm, but that was only for state agencies seeking injunctive relief, and not for private parties bringing common-law unfair competition claims. It was also inconsistent with the Third Circuit’s holding in Ferring that Lanham Act violations don’t justify a presumption of irreparable harm.  Plaintiffs’ harm came solely from loss of business or fares, and such harms were compensable in money damages.  And plaintiffs’ argument that their losses were indeterminate also failed: an inability to precisely measure financial harm doesn’t make it irreparable or immeasurable.

Friday, March 06, 2015

You come at the queen, you best not miss: Oprah wins Own Your Power suit

Kelly-Brown v. Winfrey, No. 11 cv 7875 (S.D.N.Y. Mar. 5. 2015)
 
Kelly-Brown and her company, Own Your Power Communications, Inc., sued Oprah Winfrey and related defendants, alleging that they unlawfully used plaintiffs’ “Own Your Power” trademark on the cover of their magazine, at a magazine-related event, on their website and social media accounts, and on their TV show.  The district court granted defendants’ motion to dismiss, but the 32/§43(a) claims were revived on appeal. Kelly-Brown v. Winfrey, 717 F.3d 295, 315 (2d Cir. 2013). Here, Winfrey secures a hat trick: the claimed mark is invalid; there’s no likely confusion; and her use was descriptive fair use.
 
Kelly-Brown is a motivational speaker, life coach, and business coach who has been using the phrase “Own Your Power” in workshops and seminars since 2004. Her service mark was approved in 2008:
 

According to the registration, light blue was claimed as a feature of the mark.
 
The October 2010 issue of O, The Oprah Magazine prominently displayed the phrase “Own Your Power”—in white, italic font—surrounded by the phrases: “Unlock Your Inner Superstar: Our 4-step plan”; “The 2010 O Power List!: 20 Women Who Are Rocking the World”; “How to Tap Into Your Strength”; “Focus Your Energy”; and “Let Your Best Self Shine.”
 

Defendants also used the phrase on a promotional page inside the October and December 2010 issues, and on banners at their “first-ever own your power event”:
 

The magazine and event were subsquently mentioned on an episode of Oprah’s TV show and on affiliated websites/social media accounts.
 
First, the court found that “Own Your Power” was descriptive and lacking in secondary meaning.  Registration creates a rebuttable presumption of validity, but here plaintiffs registered a “special form” mark with script letters in light blue, with the disclaimer (also inherent in the fact that this wasn’t a word mark registration), “No claim is made to the exclusive right to use own your power apart from the mark as shown.” As a result, the registration was limited to that use of the phrase, and plaintiffs had no claim over the phrase itself.  (Compare the Ninth Circuit in KP Permanent, which held that the word portion of a mark was the most important and therefore protected by the special form registration there.)
 
In any event, defendants showed that the term was descriptive and not distinctive.  Plaintiffs’ use was descriptive because it referred to “the life/career empowerment services provided by Plaintiffs; these motivational services help clients own  their power.”  Though plaintiffs claimed that the phrase meant different things to different people, they still used the phrase on their website to describe their services: “Below are my services that can help you OWN YOUR POWER!” 
 
Despite “voluminous” discovery, plaintiffs couldn’t show that the claimed mark had secondary meaning.  Applying the Second Circuit’s six factors—(1) advertising expenditures, (2) consumer studies linking the mark to a source, (3) unsolicited media coverage of the product, (4) sales success, (5) attempts to plagiarize the mark, and (6) length and exclusivity of the mark’s use—the only conclusion was that plaintiffs completely failed to establish secondary meaning. From 2009 to 2013, they spent $2,957 on advertising.  They had no consumer studies, insufficient evidence of unsolicited media coverage, sales ranging from $966 in 2009 to $30,007 in 2013, and no profit between 2010 and 2012. There was no evidence of intentional copying; they issued C&Ds to other businesses that used the phrase, but that alone fell short of showing intentional copying.  Indeed, multiple other businesses used the phrase, as did Winfrey more than 20 years ago in a commencement speech delivered to Spelman College: “. . . Be a queen. Own Your Power. Own your glory. Go forth Spelman, and triumph.”  There was no triable question of material fact here. (Also compare AOL v. AT&T, where a registration alone created a triable question despite a lot of evidence of lack of distinctiveness.)
 
But even if there were a protectable mark, no confusion was likely; in fact, plaintiffs didn’t show that any Polaroid factor favored them.  Plaintiffs showed neither inherent nor market strength. Although both parties used the same phrase, the similarities were reduced in context.  Plaintiffs used “light blue scripted letters,” while defendants used white italicized letters against a large background image of Oprah Winfrey. In all other uses, they began the word “Own” using their trademark stylized “O,” and surrounded the phrase with colored bubbles containing other power-evoking words.
 
The parties also offered “fundamentally different services”: small scale/individual life coaching services versus a global media empire disseminating positive messages. Even were the services similar, defendants’ “geographic scope (worldwide), market position (highest rated program of its kind in history), and audience appeal (up to 16 million viewers) eliminate any actual competition and decrease any likelihood of confusion.” There was no evidence of likely bridging the gap; defendants have a global media presence and plaintiffs failed to make a profit from 2010 to 2012.
 
Plaintiffs’ evidence of actual confusion consisted of anecdotal statements from four business associates who emailed them purporting to be confused. (A fifth associate emailed questioning whether Kelly-Brown was “owning [her] power with Oprah now.” That query was not evidence of confusion, just an inquiry. Another associate also emailed plaintiffs, noting that defendants’ use of the phrase reminded her of Kelly-Brown, but not indicating confusion.)  Anecdotal evidence can raise a genuine issue of fact, but this evidence appeared to be in response to “a ‘call-me-and-tell-me-you-are-confused’ request,” and two emails were apparently solicited by Kelly-Brown.  One sender spoke to Kelly-Brown about defendants’ use of the phrase two days before emailing purporting to be confused, and another conceded that despite his email, he “knew [Plaintiff Kelly-Brown] wasn’t working with Oprah.” The remaining two people were already familiar with plaintiffs’ use of the phrase and their emails didn’t relate to any purchasing decisions.
 
Defendants, by contrast, introduced three surveys demonstrating no consumer survey—one tested forward confusion, one tested reverse, and one tested both.  Plaintiffs quibbled about the surveys, but failed to present their own, which weighed against them.
 
Also, there was no bad faith, even though plaintiffs’ mark was registered before defendants’ use.  Had defendants conducted a trademark search, they’d have noted that plaintiffs’ rights were limited to the stylized use, and their use was primarily descriptive, which itself showed good faith.
 
And furthermore, even if plaintiffs could show likely confusion, fair use would still apply.  Though the Second Circuit determined that plaintiffs plausibly pled defendants’ use of the phrase was “as a mark,” plaintiffs provided no evidence to support their claim that the uses of the phrase “Own Your Power” “collectively created a sub-brand using the phrase as a symbol to attract public attention.” 
 
As Judge Sack’s concurrence in Kelly-Brown noted, to prevail at summary judgment plaintiffs would need to prove a plan for such use or consumer perception of the phrase as a mark. Though plaintiffs argued that defendants made multiple uses of the phrase, they were exclusively associated with defendants’ Own Your Power conference, “an isolated event which occurred on September 16, 2010.” Shortly thereafter, defendants stopped using the phrase.  [Though presumably they are now free to begin again!] The court also found that defendants’ use of the phrase was inconsistent in font/stylization, weighing against a finding of intent to create a sub-brand.  Plus, plaintiffs failed to show that each use of the phrase was as a symbol to attract public attention, given that in each case the use was accompanied by defendants’ own registered marks.
 
The use was instead in a descriptive sense. The court found that “Own Your Power” was a commonly used phrase and courts “more readily find a phrase descriptive when it is in common usage.” Defendants’ expert evidence showed that the phrase had been used since at least 1981 as “a common motivational exhortation to harness or achieve mastery over one’s own power.” Winfrey’s own use of the phrase in her 1993 commencement speech at Spelman College, as well as numerous recent examples of the phrase’s use in the media, supported that conclusion.  On the magazine’s cover, the phrase described the issue’s theme: power. Likewise, at the conference, the phrase appeared on banners, surrounded by other power/confidence evoking words that are encapsulated by the phrase “Own Your Power.” These words—prefaced by “The Power of . . .”—surrounded the phrase: “living large,” “one voice,” “proof,” “passion,” “taking a stand,” “authenticity,” “command,” “speaking out,” “the big picture,” “make-believe,” “taking a leap,” “style,” “heart,” and “vision.”  Winfrey used the phrase descriptively on her TV show when she advised Serena Williams to “own her own power.”
 
And the use was in good faith, even though defendants had constructive knowledge of the registration; prior knowledge doesn’t necessarily mean bad faith.  There was no evidence of an intent to generate confusion, or intent to appropriate the phrase and create a sub-brand.
 

Transformative use of the day, Vancouver edition

Via an eagle-eyed friend.

Focus, Grasshopper: infringement isn't false advertising

Grasshopper Motorcycles, Ltd. v. Rivera, No. 14–cv–320, 2015 WL 853564 (W.D. Wis. Feb. 26, 2015) (magistrate judge)
 
Grasshopper sells a moon-shaped backrest designed to be attached behind the driver’s seat of a motorcycle. “Its 2013 sales were approximately $333,000, with the majority of these sales occurring on eBay.” It claimed trademark rights in the design of its motorcycle backrest and the goodwill associated with the Grasshopper name and products.  Grasshopper leased part of its commercial space to Rivera for unrelated business, but then learned that Rivera, doing business as Better Built Backrests, was making a motorcycle seat backrest that looked a lot like Grasshopper’s backrest, using online marketing that looked similar to Grasshopper’s. Some customers allegedly mistakenly purchased a backrest from Rivera, thinking it was a Grasshopper backrest. Grasshopper sued and moved for summary judgment.
 
Rivera built his first backrest around January 2014, and had never before constructed motorcycle backrests and had not been trained in sewing or upholstery. For the purposes of the motion, the court accepted that the photos, layout and wording that Rivera used in his on-line advertising were very similar to Grasshopper’s. Rivera described his seats as “professionally sewn.” “In April 2014, he included a photo on his eBay advertisement that showed a black vinyl backrest that was labeled ‘My competitors Finished product,’ and which had large staples closing off the upholstery work. Next to this photo was a second photo of a nearly-identical backrest labeled ‘Better Built Finished Product,’ which was a more finished looking product without visible staples.” At his deposition, Rivera admitted that the former photo was actually a backrest he built himself, allegedly to resemble the look of backrests made by his competitors, including Grasshopper, which in his view are inferior to his own because of the visible stapling. Around July 2014, eBay removed his advertisement from his eBay webpage because it violated eBay’s policy against including “gratuitous information that doesn’t describe the item being sold,” which Rivera understood to mean the photo and language stating that his “product is much less expensive than the high-dollar OEM1 products.” Rivera removed the “competitor’s product” photo and the OEM language and re-listed his backrests on eBay.
 
Grasshopper argued that undisputed evidence showed false advertising under state and federal law with the photo of the stapled backrest and the “professionally sewn” claim.  But its complaint didn’t allege false advertising, only copying and misappropriation of Grasshopper’s backrest design.  Rivera, representing himself, had not waived his right to object to this broadening of the complaint. At this point, the court would deny leave to amend on timeliness grounds, regardless of the merits, but the court addressed the claims on the merits for the sake of completeness.
 
Even assuming literal falsity [RT: which does actually seem to be the case], Grasshopper was seeking damages, and it therefore needed to show actual harm. It failed to do so. There was some evidence of customer confusion: “affidavits from customers and employees who report that it is difficult on eBay to distinguish Rivera’s backrest from Grasshopper’s because of the similarity of the written advertisements and photos and because both backrests are listed for approximately the same price.” There was also anecdotal evidence of customers who purchased a Better Built backrest by mistake, intending to purchase a Grasshopper backrest. But that’s confusion about the wrong thing.  Grasshopper needed to show that it lost sales because of Rivera’s false statements, not by the appearance of Rivera’s product or his marketing:
 
Indeed, if what Grasshopper is claiming is true—that Rivera’s online advertising looked so much like Grasshopper’s that customers were misled into thinking it was Grasshopper’s—then how could Rivera’s false statements have hurt Grasshopper? Obviously, a customer believing he was viewing Grasshopper’s posting for its backrests would not think the shoddy backrest shown on the “competitors Finished product” photo was Grasshopper’s, and would be happy to know that Grasshopper’s backrests were “professionally sewn.”
 
This also doomed summary judgment on the state deceptive practices law claim, which requires pecuniary harm, and anyway doesn’t offer a cause of action to competitors for representations made to third parties. Nor did Grasshopper show that Wisconsin state common law unfair competition covered false advertising.  “Rivera’s alleged copying of Grasshopper’s marketing style could, in theory, amount to misappropriation of a property right. However, Grasshopper has not adduced evidence sufficient to establish that its marketing materials have value independent from the backrests themselves, which are not the subject of the summary judgment motion.” None of the summary judgment evidence showed that Grasshopper had a “distinct” marketing style that customers associated with Grasshopper. And whether Rivera copied the language of Grasshopper’s ads was a question of fact for a jury.