When Universal began cranking out
their horror classics in the 1930s, the unauthorized silent film was a major
template in the minds of those who had seen it or stills from it. And while debonair Drac remained the cultural
icon of the un-dead for the 1930s and 40s, the influence of this film lurked
just beneath the surface, cropping up on radio and in comics with increasing
frequency.
Pretty remarkable when you consider
every print of the movie had been ordered destroyed.…
You see, in a very real sense
Dracula stopped being Bram Stoker’s property the moment he released it into the
wild. The moment he turned it loose, the
moment other people began reading it, the cultural matrix of what we meant by
“vampire” was forever altered.
This is not to say previous or
non-Stoker vampyric creations were abolished, but that Stoker in the very act
of creation had been forced to use collaborators, and those collaborators —
however minusculely at first — used Stoker’s input to change the cultural
gestalt that made Dracula possible.
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