Lydia Loren, Orphan Works and Open Access
Orphan metaphor: poor things that need help/protection—powerful
metaphor, fits with powerful/pernicious metaphor of romantic author. Sometimes those authors die and leave orphans
in need of special solicitude. What happens to orphans? They end up in
workhouses, orphanages, coopted by criminal gangs.
Different metaphor: hostage.
Held hostage by automatic and extensive nature of copyright rights and
remedies. Users of orphan works: special forces operatives who should be
applauded for their role in freeing hostages.
Copyright is a statutory right to exclude, a social
institution—public aim of progress/knowledge.
Regulatory construct rather than property/tort. Private interests may
misalign with public aim. Given that these are orphan works, we don’t have to
worry too much about incentives for future creation; we need to worry about
dissemination/exploitation when there’s no copyright owner to ask. Not a strategic choice by the copyright
owner. Think of them as abandoned, neglected, or derelict property.
Adverse possession theory: one justification is the demerit
of the original owner, another to reward the merit of the useful possessor. Do
we really need a new owner? No. All kinds of rules for designating new owners
for tangible property whose original owner is missing. That’s when the property has positive value;
when it has negative value it’s garbage and we have rules about responsibility
for garbage. Real property: doctrine of waste.
May analogize to orphan works. Waste is when there’s divided ownership:
current owner/possessor has various duties to subsequent owner. Evolves over time, but there’s no obligation
to avoid waste if the property is owned in fee simple. In copyright, the public
is the remainderman: the rights are possessed by the public.
Solution: reduce barriers to non-owner distribution. Risk
underproduction of info about whether particular works are orphans. Who will
invest in this info? Proposed European Directive: reasonable diligence. What’s the incentive to incur that cost? One
possibility: new ownership right, as with adverse possession or orphan drug
act. Loren is concerned about taking ownership and giving it to someone else
when we do have remaindermen.
Open access as a tool: eliminate liability for identifying
hostage works and freeing the works, but require them to correct errors when
identified. Elimination of liability will be enough for nonprofits and
libraries—they’re interested in preserving their budgets against liability so
they can save the money to buy in-copyright works. Open doesn’t have to mean “no
way to make money.” Allow for commercial uses as long as consistent with open
access principles. Current open access models are based on copyright owner
consent. Should provide information, in markup language that can easily be
searched, which can help correct records if owner is identified.
When a copyright matures, it’s emancipated. Open access as a
step in that maturation process.
RT: in real property, can’t have adverse possession against
an interest holder with no present interest like a remainderman, so awarding
the rescue team with a new property right would be inconsistent with the
metaphor (at least if it lasted longer than the original duration of the ©).
Q: Is Google Books a liberator or a hostage-taker?
A: Neither.
Q: Aren’t people unjustifiedly worried about statutory
damages when all they’ll have to do is take stuff down?
A: to a certain extent. But libraries have limited budgets
and are risk-averse. They are also interested in doing the right thing. They
need a legal structure that reflects what the right thing is. Derivative work
creators are worried.
Dave Fagundes: the social costs of waste in physical
property might be higher than IP—more externalities, as with foreclosed homes.
Nonuse of IP may be more inert. Physical property is also finite; you can make
more IP. Waste: refers to harm to future interest owners—is that really what’s
going on here? The harm is in the present with orphan works. To make analogy
work, you have to show that the nonuse is harmful to the future owner, which
you may be able to do. Also, are the hostage-freers still unincentivized?
A: She’d like no damages. Even a reasonable license fee
might be unwarranted without proof of actual harm.
Kelly Casey Mullally, Blocking Copyrights Revisited
Courts should take contributions of second-comer more into
account in remedies—a “blocking copyrights” perspective. eBay
gives courts more leeway to deal with unauthorized works. Courts have been somewhat receptive to denying
injunctive relief where there’d be harm to public interest; her proposal
capitalizes on this. Courts might also be more comfortable with “blocking
copyrights” as part of equitable relief rather than as part of difficult
constitutional questions or at the liability stage.
Look to tort law for lessons for improvers. More favorable to follow-on creators than
copyright. Courts have been willing to grant right if improver acted in good
faith and made a sufficient contribution to the final materials as long as the
improver pays compensation. Tort law also has experience valuing reputational
harms, sometimes raised with derivative works. US law doesn’t support moral
rights, but tort law can value if we think it should. Courts have also looked
to tort law to figure out what actual damages are in copyright.
How this might work: good faith. Tort applies a broad view of good faith—innocence
isn’t required; have considered prior attempts by improvers to negotiate and
the fact that the improver improved at his or her own expense as evidence of
good faith. Could encompass unintentional infringement for copyright, as with
mistakes in real property, but should be broader because copying is often deliberate
and nonetheless worthy of protection. Significant efforts of substantial
improvers should be taken into account.
Look at transformativeness, new meaning/message—particularly transformations
not dictated simply by a change in genre; look at whether new work is
successful because of factors unrelated to the preexisting work; attempts to
negotiate and copyright owner’s general willingness to license/exploit the
market at issue; delay in reacting/filing suit—gets at whether there is real
harm. Does the use increase demand for the original work? Gist: courts adopt an
ameliorating practice within eBay and
still compensating the owner of the copyright where appropriate.
To do this requires a lot of partitioning of damages. That’s a barrier to this approach. Her approach attempts to avoid problems of
defining what’s an improvement by sticking to statutory language—the definition
of what’s a derivative work. Courts have already addressed what it means to
create a derivative work out of an existing work. Courts have also had to
address the value of an infringing work as part of a larger work. URAA
derivative works cases also require assessment of reasonable license fee from
reliance party. Greater protection for unauthorized derivative works is the
goal.
Glynn Lunney: He heard an argument for reduced damages for
unauthorized users who create value, but that doesn’t implicate blocking
copyrights as in Gracen v. Bradford
Exchange. Blocking copyrights would
mean neither could exploit Gracen’s plate unless both agree. Or do you just mean that Gracen should be
able to distribute her plate on her own by paying?
A: that’s at least what she wants. More to come on this project. Ideal: express acknowledgement of right to
copyright unauthorized author’s contribution.
If it’s still profitable for the unauthorized user to continue, what if
the copyright owner decides to get into the market to compete?
Fagundes: you’re talking about property torts like
conversion, but does that work?
Separately, one counterargument is that you depress incentive to create
first-generation works like motion pictures with sequel franchises.
A: Need more evidence the derivative right is important—more
like a lottery. Author reputation can
also preserve a market: George Lucas’s version is more attractive. Especially if the other creator has to pay
the damages to continue.
Q: does the proposal work better for some categories, e.g.,
computer software, than for cartoon characters?
RT: one usual objection to tweaking remedies in this way:
leads to expansion of liability. Your factors seem to play into that by
replicating the fair use test. I think
if there’s new meaning & message and the copyright owner doesn’t want to
exploit that market, it’s likely to be a fair use! My specific concern:
noncommercial users. Plenty of effort and creativity, little financial
reward. Also, blocking
copyrights—copyright owners would be terrified of strike suits under such a
regime—your Avatar sequel is too
close to mine! You must have copied! They’d
attempt to suppress unauthorized uses much more aggressively under this regime.
A: interaction with fair use is significant, but sometimes
courts aren’t willing to say it’s fair use; can incorporate eBay framework in those cases.
McGeveran: Derek Bambauer on derivative works has some
relevant stuff. Also, on incentives:
lots of people buy lottery tickets in the unrealistic hope they’ll win. To what
extent is that incentive necessary. (To what extent do average authors trying
to win the lottery understand the extent of the law?) 9 of 10 top-grossing
films this year were sequels.
Eric Goldman, Death of the Initial Interest Confusion
Doctrine?
Why academics hate IIC: no well-accepted definition. Capturing a consumer’s attention is in his
world called marketing. But courts are all over the map on this. Courts
disagree whether the doctrine even exists—compare the 4th Circuit in
PETA to the 4th Circuit in Falwell.
Because there’s no definition, there’s no way for defendants to respond;
no way to do empirical studies on either side. Lacks contours.
Also IIC pushes TM too early into the consumer search
process. Consumers experiencing IIC are
actually suffering no harm at this stage. Leads to “hit the back button”
response.
Practically: doesn’t improve judicial decisionmaking. Courts
can’t figure out how the test applies to ordinary likelihood of confusion
analysis—is it a factor? A substitute? His hypothesis: rarely changes a case’s
results. A doctrine that is supposed to help doesn’t.
Non-rigorous search via Westlaw. He looked at 55 cases 2009-2011; IIC “found”
as best he could tell in about 9 cases; sometimes hard to figure out what the
court did. 3 categories: Domain name
cases (ACPA failures but the court lets them continue); keyword ad cases (funky;
something ambiguous in the ad copy, though not a clear ripoff—court is not sure
what the ad copy is telling people—Pillow Pets case); trade dress cases
(Wolf/Viking red knobs on ovens, RE/MAX—court thinks people might not understand
as they’re whizzing by at 50 mph).
We have doctrines that cover all these things and give a lot
of law for parties to use. We have ACPA,
UDRP, etc. We have law on keyword ads,
Google’s own policies which are decreasing judicial activity. We have trade dress law.
Implications: often pled, rarely successful. Why not plead it? (Sounds like the history of dilution to
me.) Where it’s helpful, chances are the
P was going to win on some other theory.
Means an increase in cost of litigating without payoff. How do we declare a common law doctrinal
experiment a failure? How do we kill
common law? The whole nature is to build
on precedent. May be shaved to death,
but when can it be called dead? (Dilution
might be compared as a legislative experiment—Clarisa Long?) We as law profs would like to be able to
declare its time of death, but he’s not sure how that’s done. Only certain way: statute. (How did competition die as a requirement
through common law? McKenna.) Judges do have the power to simply say it
failed.
Sheff: the one category that’s most problematic is trade dress. There you can distinguish bait & switch from foot in the door. Trade dress: foot in the door. Different kind of harm than domain name where you can just hit the back button. Might influence consumer decision based on goodwill of manufacturer. Whether we care about that is a separate question. SCt denied cert. in Gibson Guitar case on the “smoky bar” initial interest confusion theory, where the 6th Circuit rejected the P’s theory. That may be the best signal we can expect.
Sheff: the one category that’s most problematic is trade dress. There you can distinguish bait & switch from foot in the door. Trade dress: foot in the door. Different kind of harm than domain name where you can just hit the back button. Might influence consumer decision based on goodwill of manufacturer. Whether we care about that is a separate question. SCt denied cert. in Gibson Guitar case on the “smoky bar” initial interest confusion theory, where the 6th Circuit rejected the P’s theory. That may be the best signal we can expect.
McGeveran: Could be an article in the Prosser tradition: I’ve
read all the cases and here’s what they mean. That’s how courts gravitate away
from a common law doctrine now in disfavor—they start to cite the old cases
grumpily, and citing a comprehensive survey can help.
Q: potential statutory hook: sale, offering for sale, or
advertising. That may be justification
for claiming it’s infringement to offer for sale/advertising.
Ramsey: First Amendment as a justification? Requires narrow statutory interpretation to
protect speech interests; IIC doesn’t do that.
Me: compare dilution; compare pleading state causes of
action, which actually wastes only paper as far as I can tell.
Lunney: INS-style misappropriation also died a common-law
death. The Third Restatement declared it
dead, and after a while the courts went along.
Felix Wu: if you want to make something narrower you add an
element. Misappropriation: courts added so many elements that it became
essentially impossible to satisfy. One
way to read Gibson Guitar case is that the court added an implicit materiality
requirement, and making it explicit might be a good way to kill the doctrine.
Leah Chan Grinvald, Debunking the Duty to Police in
Trademark Law (with Eric Goldman)
Hypothesis: the duty to police is overblown, played out in
nutty TM enforcement claims. Monster Cable suing everything Monster, including
the movie Monsters Inc. Yoga for Athletes is on the supplemental
register: sending out letters to all sorts of studios & succeeding without
having to sue. They defend themselves by
saying “we must do that or we lose our brand.” But what are lawyers actually
advising and is it consistent with the actual law? Countless numbers of practitioner materials
say that. Even the PTO’s bullying report
says TM rights may be weakened if use goes unchallenged so enforcement is
important.
These sources are conflating the issues: actual consequences
of nonpolicing are much more nuanced and harder to explain. Easier to say “always!” Laches/acquiescence; reduction in strength;
inability to bring dilution claims; abandonment; genericide—these are some
possible consequences, depending on what exactly is happening.
Current results (WIP): it really depends. Doctrines are all over the place. Against a single defendant,
laches/acquiescence still isn’t very common unless you’ve really let it go—the shortest
period we’ve seen is 5-6 years (no statute of limitations on Lanham Act, so
courts borrow from states). Not clear
how often people lose dilution claims because of similar unchallenged uses.
Abandonment/genericide is really rare.
That’s why practitioners trot out a few well-worn examples like aspirin—that’s
pretty much all that there is.
So why do people promote, in all honesty, the absolute
policing belief? Anticompetitive
behavior: using it as a way to stop competitor product sales. Anticonsumer behavior: might hurt consumers,
but we have to stop it or hurt our brand.
Improper advice: practitioners using anomalous cases to scare their
clients into believing that there’s a monster in the closet. Most
practictioners who focus on TM do seem to understand the nuances, but there’s a
lot of risk-avoidance. Attorneys should
reexamine their advice and stop talking about a “duty to police.” New framework: identical mark situations v.
nonidentical mark situations. Other
variations.
McGeveran: Documenting the risk of bad PR from being
overzealous, especially in a twitterfied environment—there are countervailing/downside
risks of overpolicing.
Sheff: Bucky Badger case—failure to police led to
affirmative expansion of TM rights.
Policing is not that relevant to the scope of duration of TM rights, at
least now.
Ramsey: why carve out naked licensing cases?
Q: Malpractice fears aren’t really necessary when you can
get billable hours out of telling your clients to fight a use. How do you bring
that up without alienating the lawyers?
Loren: sees policing referred to in case law in discussions
of dilution: courts seem to weigh C&D letters in P’s favor.
Ramsey: plus, if you deter competitors from using a mark,
you have a better argument that competitors don’t need to use it.
McGeveran: can the law agree that agreements that the goods
don’t overlap are just as good as a C&D?
Devin Desai: but you still give the markholder reason to
come beat on someone with a stupid doctrine.
Perception can still induce panic.
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