Donate to the OTW, get a mug! Manipulation from here. We revisioners and transformative artists have to stick together, after all.
(Hamlet is my favorite play. Notable transformative uses include Rosencrantz and Guildenstern are Dead and the lesser-known Kean, by Dumas père, itself reworked by Sartre into a play I adored as a teen; I always did like retellings. Which is also why I will see any production of Hamlet, even if they use a plastic pumpkin to represent the skull.)