Reading list: Mala Chatterjee, Property, Speech, and Authorship: A Dilemma for Personhood Theories of Copyright

 Recommended! Short and thought-provoking.

Property, Speech, and Authorship: A Dilemma for Personhood Theories of Copyright

Cambridge Volume on Intellectual Property & Private Law (forthcoming 2024)

15 Pages Posted: 2 Aug 2024

Mala Chatterjee

Columbia Law School

Date Written: July 22, 2024

Abstract

In the theoretical literature on the normative foundations of copyright law, a substantial body of work has endeavored to justify the legal institution by grounding it in the allegedly “special” relationship that authors have with their expressive works. Often drawing from cultural or philosophical views about authorship, art, and expression, much of this scholarship seeks to explain and vindicate copyright law with the idea that, in some way or another, authorial works are distinctly personal—and perhaps even parts or extensions of their authors—by their very nature. Typically, legal scholars approach this task by plucking ideas from influential philosophers about personhood, property, or speech to serve as their theoretical starting points and then venturing to expand or adapt these ideas into a justification for copyrights. In the most prominent (and promising) of such interventions, scholars have advanced personhood-based defenses of copyright law adapted from Wilhelm Friedrich Hegel’s self-formation argument for private property rights and Immanuel Kant’s compelled speech argument against unauthorized publication. This essay argues that the task of bridging the gap between personhood and copyright is not so easy—if it is even possible at all. I first argue that, properly understood, neither Hegel’s self-formation argument nor Kant’s compelled speech argument can be adapted or extended into a justification for anything like copyrights. I then argue that these attempted adaptations—and their shortcomings—ultimately reveal a fundamental normative conflict between personhood and copyright.  It will follow that, even if authors have distinctly “personal” relationships with their works in the strongest possible sense, personhood-based arguments cannot be used to justify copyright law. Indeed, if anything, the idea that an author has a distinctly personal connection to her work—one that must be recognized and protected by the law—ultimately cuts against the existence of copyrights and might even render them unjustifiable.